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The TV thread 
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HBO renews 'Treme' for abbreviated fourth and final season

http://www.hitfix.com/whats-alan-watchi ... nal-season

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Sun Sep 23, 2012 11:28 am
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Watching Andrew Marr's History of the World.

Some interesting points - tribes came from Africa but only one tribe was successful and one woman in that tribe is our "Eve" - she has the same genetic defect that all of us outside of Africa have. Strangely, the needle was apparently the unsung hero allowing humans to have "fitted clothes". Not sure about that one. Also, we ate Neanderthals.

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Sun Sep 23, 2012 8:18 pm
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pcernie wrote:
HBO renews 'Treme' for abbreviated fourth and final season

http://www.hitfix.com/whats-alan-watchi ... nal-season


Woohoo!


Sun Sep 23, 2012 9:54 pm
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cloaked_wolf wrote:
Watching Andrew Marr's History of the World.

Some interesting points - tribes came from Africa but only one tribe was successful and one woman in that tribe is our "Eve" - she has the same genetic defect that all of us outside of Africa have. Strangely, the needle was apparently the unsung hero allowing humans to have "fitted clothes". Not sure about that one. Also, we ate Neanderthals.


Sounds great but I'm 'anyone but Marr' at this point :(

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Sun Sep 23, 2012 10:00 pm
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He was alright with Megacities, but he's no Brian Cox or the other people they usually use for programs of that magnitude.


Sun Sep 23, 2012 10:30 pm
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okenobi wrote:
He was alright with Megacities, but he's no Brian Cox or the other people they usually use for programs of that magnitude.


It's more him being a dick in general that annoys me these days - totally ruins whatever point he's making :lol:

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Sun Sep 23, 2012 10:50 pm
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What's with this trend of presenters not taking to camera, but to the side of it? I was watching an art programme with Fiona Bruce, and, like many others, she was not talking to the viewer, but to some hidden entity off camera.

I've seen this a lot in the last year or so, and it annoys me as I feel that what is being said is half a conversation, and we are not getting response or feedback from the hidden participant.

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Mon Sep 24, 2012 7:30 am
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Like the fad a few years ago for zooming in on an interviewee's head and wiggling your arms about as if what the person was saying was so exciting that the cameraman just lost control of his emotions. It'll die out.


Mon Sep 24, 2012 7:37 am
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paulzolo wrote:
What's with this trend of presenters not taking to camera, but to the side of it? I was watching an art programme with Fiona Bruce, and, like many others, she was not talking to the viewer, but to some hidden entity off camera.

I've seen this a lot in the last year or so, and it annoys me as I feel that what is being said is half a conversation, and we are not getting response or feedback from the hidden participant.


Perhaps they are recording in 3D but only broadcasting one channel. :lol:

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Mon Sep 24, 2012 7:41 am
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Has anyone been watching the recent New Tricks episodes? Just curious what you made of them since the cast don't seem too impressed!

I stopped watching last series (I think) when I knew what they were gonna say before they even said it...

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Wed Sep 26, 2012 10:14 pm
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What Firefly teaches us about contract law

http://thelegalgeeks.com/blog/2012/09/27/firefly-lessons-in-contract-law/

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Firefly was wickedly creative, well-written and had fantastic humor. Spaceships and wardrobe that ranged from Western to Steampunk to Chinese aside, Firefly presented excellent Contract formation issues.

Contract formation consists of 1) Offer; 2) Acceptance; 3) Consideration; and 4) Performance.

In the world of Firefly, it was often 1) Offer 2) Acceptance 3) Gunfight (also known as breach). Let’s review three episodes to examine these contract issues.
Shindig

Consideration in Contract Law involves something of “value” being given up by a promissor to a promisee in exchange for something of value given by a promisee to a promissor (Nice summary in Wikipedia). In Shindig, the consideration for earning Warrick Harrow’s cattle shipment job was surviving a sword fight with one of Inara’s clients (it also could be a condition precedent, because Mal did have to survive the fight).

Since the old idea that consideration can be a peppercorn, a sword fight does not seem too crazy in a future with space cowboys fighting an oppressive regime.
The Train Job

The Train Job was the second episode in the series. Malcolm Reynolds formed an oral contract with a crime boss named Adelei Niska to steal medical supplies from a train. Niska made a payment for the work to be performed, which involves extracting cargo from a fast-moving train with Alliance soldiers onboard.

The heist was a success, with the exception the Captain and Zoe were stuck on the train and ultimately needed to be “rescued” by Inara after being detained in town.

However, once Mal and Zoe reached the destination of the cargo, they learned the medicine was vital for the survival of a mining town where everyone was suffering from the effects of mining.

Mal’s following actions are best described as contract rescission, which is the unwinding of an agreement. Mal decided to return the stolen medicine to the town and the money back to Niska. Granted, since this was an action show, there was a gunfight and someone sucked through a jet intake before Niska’s men accepted the rescission (non-traditional contract remedies were later sought by Niska in War Stories).
Out of Gas

The contract issues in Out of Gas focused on a salvage ship that found the crippled Serenity with only Mal onboard.

Serenity was heavily damaged from an engine room fire and needed a new compression coil.

The salvage captain boarded Serenity and shot Mal after seeing Mal was telling the truth about Serenity’s damage (this was after Mal offered anything of value in the ship’s hold).

The actions up until the shooting showed the parties went beyond offer and acceptance to performance, because the salvage captain boarded Serenity with the compression coil in hand.

Given the fact payment had not been determined, there was an uncertain term to the contract. However, there was sufficient evidence to show a contract had been formed based upon the conduct of the parties (boarding Serenity with the part Mal requested from the salvage captain).

After being shot, Mal armed himself with the gun from the “Mule” and ordered the captain and crew off his ship. While there was no payment made for the compression coil, the salvage captain breached his agreement when he shot Mal. Keeping the compression coil would have been the proper damage recovery (sure, there is a separate cause of action for shooting someone).
Curse Your Sudden But Inevitable Betrayal

The remedy for a breach of contract is either money damages or equitable remedies. Gunfights in the series aside, Out of Gas focused more on the equitable remedy of specific performance. In the instance of The Train Job, returning Niska’s money was designed to put him in the same place as he was before the contract with Malcolm Renyolds.

So let me make this abundantly clear. I do the job and then I get paid.

Captain Malcolm Reynolds

Firefly essentially was about engaging in contract work for payment. Each episode has different themes on issues of formation, breach or remedies. While the show was certainly not a transactional space adventure with cowboys, the contract issues are very prevalent.

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Fri Sep 28, 2012 11:12 am
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From the B5 team...

http://www.aintitcool.com/node/58689

Never thought that would come back round again, never mind get that sort of treatment :shock:

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Fri Sep 28, 2012 6:43 pm
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pcernie wrote:
From the B5 team...

http://www.aintitcool.com/node/58689

Never thought that would come back round again, never mind get that sort of treatment :shock:

I watched the video and recognised one of the crew as Sven from the Running Man. He appears to have done a number of films with Arnie. :shock:

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Fri Sep 28, 2012 8:47 pm
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pcernie wrote:
From the B5 team...

http://www.aintitcool.com/node/58689

Never thought that would come back round again, never mind get that sort of treatment :shock:


Captain Power had this weirdy toy tie in. The characters would have some kind of shield or armour which, at train times on the programme, would flash (using some kind of colour separation overlay technique). The idea was that a toy would respond to the flashing in some fashion. I would suspect that some viewers with photo sensitive epilepsy would likely respond too.

One of the cable channels showed Captain Power in the 1990s. I can't say I was whelmed in any fashion by it.

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Fri Sep 28, 2012 10:01 pm
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Continuum, on ScyFy.

Basic plot - a group of terrorists travel back in time from 70 years in the future with a plan to change their past (our future). They are pursued by one future policewoman.

OK, so far, so cliched. But it's actually very well done. The 'deus ex machina' future tech is minimally applied - they have 'smart clothes' with inbuilt functions and adaptive controls and some subtle cybernetics - 'heads up displays' and subdermal communications but none of it is utterly unbelievable/fantastic. It does a very good job of dealing with the copper's dilemma of having to save the world (both worlds, in fact) while making as few changes to the timeline as is possible. I think it may be a little low budget but that seems to have forced the to concentrate on character and story rather than special effects. The leads are decent enough and it seems quite 'adult' in the sense it doesn't provide easy answers and trite solutions, rather than being, you know, HBO 'adult'. Reminds me a little of Fringe. It's also got a slightly Asimov feel to it. And it's been well received in the states and renewed for a second series already, so it's not going to up and disappear after 10 episodes or something.

if you have Scyfy or can access the more unofficial channels for getting US genre shows, it's worth a look IMO.


Fri Sep 28, 2012 10:22 pm
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