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Gaga Says Downloading Is No Issue: The Money's In Tours 
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Legend

Joined: Sun Apr 26, 2009 12:30 pm
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Lady Gaga Says No Problem If People Download Her Music; The Money Is In Touring

from the the-business-model-of-today dept

Earlier this year, we wrote about how Lady Gaga had leveraged free music as a huge part of building up her popularity, and turned that into money via sellout tours and corporate sponsorship. However, most of that article focused on "legal" free music -- such as the songs her label had put up on MySpace and YouTube and elsewhere. But what about the unauthorized kinds? Well, in a wide-ranging (and really quite fascinating) interview that Lady Gaga did with the Times Online in the UK (check it out before they put up the paywall), Lady Gaga admits she's fine with people downloading her music in unauthorized forms because she makes it up in touring revenue:

She explains she doesn't mind about people downloading her music for free, "because you know how much you can earn off touring, right? Big artists can make anywhere from $40 million [£28 million] for one cycle of two years' touring. Giant artists make upwards of $100 million. Make music -- then tour. It's just the way it is today."

Similarly, she knocks bands that don't really try to work hard to please the fans, and who just expect them to automatically buy each album:

"I hate big acts that just throw an album out against the wall, like 'BUY IT! F*** YOU!' It's mean to fans. You should go out and tour it to your fans in India, Japan, the UK. I don't believe in how the music industry is today. I believe in how it was in 1982."

Like Mariah Carey, it looks like Lady Gaga has realized that this concept of Connect with Fans and giving them a Reason to Buy works at the superstar level just as much as it does down at the indie artist level. The specifics of implementing a business model around the concept are very, very different -- but the core concept remains the same. Treat your fans right, learn to leverage what's infinite to make something scarce more valuable, and then sell the scarcity.


http://techdirt.com/articles/20100524/0032549541.shtml

She-man has actually gone up in my estimations (though I spose that wouldn't have been difficult) :shock:

Now, taking the above into account, why doesn't Bono (amongst others) get this? :?

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Tue May 25, 2010 5:15 pm
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Joined: Thu Apr 23, 2009 8:29 pm
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Interesting. I suppose it's more of a problem for bands who don't make as much money as Lady Gaga but those arena dates are where it's at. When I was dragged* along to see Madonna a few years ago the tickets were £150 each plus £15 booking fee! :shock:


* I don't mean 'dragged' in the clothing sense, incidentally.

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Tue May 25, 2010 5:40 pm
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The main reason most don't tour is because out of the studio they sound (rhymes with bright).

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Tue May 25, 2010 6:18 pm
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LIve performance used to be the way you made money from music anyway. You write some music, and when it got played live, you got paid. It is a centuries old model, and it works well. The problem now is the way music is created now, you can program some beats, tweak a starlet’s out of tune warblings to fit, and get some radio time and bingo - people would buy the CD. This whole internet lark has forced the emphasis back onto performance.

And this is good. It returns music to the craftsmen of the art - to those who can play, write and sing. If you can’t do any of these, then really, you have no business diluting the art with your dross.

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Tue May 25, 2010 7:35 pm
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